Monthly Archives: June 2008

   

Idea Showers

Coming into work on the bus this morning, I had two ideas for my blog entry as ‘blog mistress’ (oh why not….my niece used to be a web-mistress for Playboy magazine so am only carrying on the tradition). Then I read Brennan’s piece. I am going to stick to one of my original ideas, as there is a sort of a link – tenuous – to do with the use of language, what is bad and what is good.  I promise to be very brief…..

I spend my life these days in a kind of Tower of Babel, with various languages, and forms of my own language, surrounding me. At home, I hear Swedish, English and very occasionally, Danish. At work, Danish, various forms of English, Chinese, Polish, Icelandic…. In the laundry I hear Serbian, Arabic, Urdu, Polish again…. On the bus, Finnish, Danish, Russian and Swedish again. In many ways, this is fun, playing ‘spot the language’ and giving students a fright when you understand a word in Bulgarian. Sometimes it is tiring (after a full day of meetings in Danish, the last thing I want to do is watch TV in Danish), sometimes frustrating.

Today on the bus I heard British English – hoorah! Except….I could not understand a word she was saying. Actually, that is not true. I understood the words but not the meaning, as she was discussing some piece of medical research with someone else going to a conference at the Rigshospital. Her language consisted purely of jargon associated with her field and was thus incomprehensible to the rest of us. Jargon is, I would argue, essential for discussions of a technical or specialist nature. The common language of experts, one could say. Some jargon grows out of a need to abbreviate and simplify terms and routines in organisations. My favourite one from my old job at ‘Caly’ (ie Glasgow Caledonian University) was the Ribena Student. No, we did not take recalcitrant or annoying students and blend them into a sweet blackcurrant drink, these were students who were ‘registered but not in attendance’ ie rbnia or Ribena (meaning students who had failed lots of times but who we could not kick out as they still had one attempt at something). The shorthand made sense to us, the insiders.

However, jargon sometimes gets a bit out of hand (and here we come to the problem of ‘good’ and ‘bad’ again), particularly when it becomes ‘management speak’. Again, a favourite from my previous job was the ‘cascade of briefs’ from the Principal’s office. No, he did not throw his dirty underwear down on us. The phrase referred to a communication line, downwards from the top, of ‘interesting’ information. In  many forms of contemporary English, there are many over-used words used in peculiar contexts (I once successfully challenged a student to get ‘overarching’ and ‘underpinning’ in a sentence) and certainly many ghastly phrases (‘I’ll have to run that idea up the flag pole after putting it on the back burner and then we can take a holistic cradle-to-grave approach to this particular challenge’). What upsets us about these phrases I think, is not so much the ‘jargon effect’, as the associations this type of speech has for us, of the idiot boss who has read too many airport management books. Instead of making complex issues simple, they blur and confuse, and make us question what is going on.

So, jargon is good in context. Management speak is always bad. Am I right or wrong? And why is it important to even mention it? One reason is that we have lots of international students with varying commands of English and to whom we have to make things clear. Using ‘management speak’ in this context can lead to misunderstandings and confusion, while certain jargon phrases have to be explained (especially those translated from Danish).  At the end of the day, our stakeholders need that level of granularity to leverage their talents and aim for the strategic staircase…..yes, your guess is as good as mine as to what that means!

Oh – an idea shower – the new term for ‘brain storming’ which the PC brigade thinks has too many associations with epilepsy.

And I promise a blog on some multimedia topic tomorrow!

Why I Am So Great (eller på dansk: Selvcensurens Kybernetik)

In our careful steps towards making this Blog all the wonderful things we want it to be, an area of great concern, for those of us that meet and discuss the blog effort, has been that the blog does / is ‘the right thing’. 

‘Doing the right thing’ is easy if you write a blog alone. You are chief contributing editor and, as long as you don’t say something heretical about the Jewish holocaust, or post recipes for atomic bombs, your blog will survive for as long as you nurse it, and probably a little longer in the various spook caches around the developed world.

‘We’ are plural, and I am sure we can dig out areas of fundamental disagreement about this blog, or any of the issues we discuss here. (I hope so! There’s little point cultivating a garden of nodding gnomes). Still, those of us in the central steering committee, we’re all dreamy and leftist enough to want some kind of ‘flat’ structure for this blog, that it should grow ‘organically’ (whatever that means). In principle, the only ‘authority’ should be our administrator, whose editorial activities should be limited to removing spam and tweaking the stylesheet.

Ulla’s post “This is Not a Corporate Blog” is a useful first stab at that particular paradox. Ulla, our ‘rektor’ is making explicit the rules which say that we are not required to follow the school’s corporate agenda. Recalling – for me – Aleister Crowley: (”Do what you will shall be the whole of the law”) she blesses us with her trust, puts her own ass on the line, that we can find our form and our feet as a loose heterogenous group. That a ‘boss’ should gives us this injunction was the source of some amusement in the last meeting.

Given that there is no ‘editor’ as such, we are left with an unease, an angst that, with so little authority, sooner or later, someone is going to say that Bertel Haarder can stick his authoritarian, anti-interdisciplinary reforms where the sun don’t shine, or worse. That would, of course, be unfortunate and regrettable, and may spell “T.H.E. E.N.D.” for the blog, but how likely is it? We’re all civilised people, with no great desire to offend, even as a side effect of our indulgence in trivial mischief. We will do the right thing, but was is ‘the right thing’?

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Kommunikation og kommunikatører

Hvis man som studerende har fået lyst til at snuse lidt mere til fagområdet Kommunikation, kan det måske interessere, hvordan et fagforbund som Dansk Journalistforbund beskriver det.
Journalistforbundets beskrivelse er især interessant, fordi der tidligere har været nærmest vandtætte skodder mellem journalister og virksomhedskommunikatører. Men den tid er passé og i dag har forbundet en kommunikationsgruppe, som organiserer folk, som jeg selv, der beskæftiger sig professionelt med kommunikation for virksomheder.
En gruppe af disse kommunikationsmennesker har formuleret et bud på, hvad kommunikationsarbejde handler om. Herfra har jeg sakset dette udpluk:

Arbejdet med kommunikation foregår mennesker imellem. Dialogen spiller derfor en central rolle i opgavefeltet, der benytter sig af arbejdsmetoder og værktøjer fra fx journalistikken, reklamen, undervisningen eller personaleledelse. At analysere og at tænke strategisk hører også til.

Kommunikatørens værktøjskasse er fyldt med konkrete teknikker, viden om produktionsprocesser, holdninger til kommunikation og forskellige teorier om kommunikation.

Kommunikatøren stiller sin ekspertise til rådighed ved at forenkle ofte komplekse budskaber og hjælper dermed den ene part i relationen til at få opfyldt sin ambition. Kommunikatørens hjælper-rolle kan udspilles på flere niveauer. Fra den procesorienterede og rådgivende strateg til den produktionsorienterede og udførende håndværker. Nogle har specialiseret sig i nicher på de forskellige niveauer, andre er generalister, som breder sig over flere niveauer.

Kommunikatøren forbinder verden udenfor med verden indenfor ved at afklare, udvikle og udfordre, så budskabet er troværdigt og samtidigt loyalt mod afsenders hensigt. Budskab og budskabets mål er alt afgørende for, hvordan kommunikatøren udfører sit arbejde.
Kommunikationsarbejdet omfatter bl.a.: informationsjournalistisk, public relations, personale- og organisationsudvikling (HR), pressearbejde og interessentpleje.

The Satisfaction of Accomplishment

I had no idea what to really expect. I had read about it, seen the publicity material, knew it was something I wanted to see, but could not imagine how Dansk Danseteater’s latest production, ‘Labyrinten’ would actually work out. Tim Rushton’s company of dancers never fails to surprise and delight, but this time they promised to give us something different, and in my opinion, they did.

The reason I mention this is two-fold. Firstly, the publicity material for the piece that can be found on the website, was created by three of our fourth semester students. Secondly, for me (and I also think having talked to the students after I had seen the performance, for them too) it raised questions about the role of dance and multimedia – or rather, how physical theatre can be combined with the digital world.

Over the years, I have seen a lot of dance, some good, some bad and some performances that stick in my mind. Without the risk of boring the reader with a list, many of the memorable performances have made an impact partly due to the stage set and lighting, and the contribution they have made to the overall performance. In fact, the tools of ‘multimedia’ have been used in a number of dance pieces. For example, one by Merce Cunningham (a founding father of contemporary dance), where he used 3D virtual dancers along with the real dancers in one piece, and Phoenix Dance Theatre’s experiment with a set design which responded to and ‘interacted’ with the dancers (I have only seen this on film). Moreover, over the years, several choreography programs have been developed, which use various modeling techniques and in some cases traditional dance notation systems, to represent the movements (see for example LifeForms and DanceForms).

‘Labyrinten’ is not a conventional stage performance. The audience walks around, through the labyrinth, choosing which dancers to watch and at what time, at different angles, from different perspectives. The lighting shifts, creates patterns, forming new shapes within the ‘cells’ or rooms, where we see the dancers. This could be said to be more of a ‘multisense’ than ‘multimedia’ performance, since we could almost (and in some cases, did) touch, smell, see, hear and almost taste the work, yet one could say it was ‘multimedia’ in its use of sound, visuals, light and movement.

The students’ digital labyrinth that you can ‘walk around’ on the web page, conjured up perfectly the feel of the piece, the shapes, sounds and effects. In discussion with them last week, after I had seen the performance, they asked me if I could see a link between the way we communicate via the internet today and this particular dance piece. It was an interesting question, and one which I am not sure about still. On one hand, we, the audience were a community, and to a certain extent we also produced a part of the content (eg at one point one of the dancers was miming and communicating with me directly, so my presence was dictating which direction he looked in). There was no linear flow to the piece, we could move about from cell to cell (we could navigate via hyperlinks from page to page). On the other, this was real, physical theatre, where we could see the sweat pouring off the dancers and see their bandaged feet. They were no avatars.

I am still thinking about all of this, and need more time to think about it. Contributions and thoughts most welcome…In the meantime, see the work the students did and read more about the performance at http://www.danskdanseteater.dk/ and there is still time to go and see it as well.