Monthly Archives: February 2008

   

Face Off

Yes, I admit it. I am on Facebook. I update my status regularly, am a frequent SuperPoker, send kisses and hugs and check out shoe of the day. I am friends with my nieces and nephews, past and present students and colleagues, and even people I don’t know but met on Facebook. Why? What is the fascination with knowing that X has a hangover, reading (in Swedish) that my brother-in-law is sitting in the rain in Thailand or sitting next to a colleague in the office and poking them (and not with a pencil but virtually)?

I guess it is all about contact and the need for it. I moved to Denmark just over three years ago, as an adult who had a career and network of friends back home, so for me, email and, yes, Facebook, are essential ways for me to keep in touch and share news. I guess too it is all about being part of a group and showing your tribal roots. Why else should I post information about my ethnic background and music tastes?

We know that social networking sites are a way to renew contacts and make new contacts, to chat, flirt and yes, have fun, without leaving your own home. They exhibit how technology is hijacked and used by people in a way the original producers did not envisage. New worlds and societies can be built virtually where we can open up our thoughts, feelings and ideas that we might not do so easily in the real world. They can remind us of the old and bring us the new.

But as with many things in life, these networks bring their problems. There have been cases of bullying on Facebook, identity theft and the issue of over commercialization. Spam is becoming a problem. Moreover, questions have been raised about access to Facebook profiles by employers or prospective employers trying to find out things about you (though anyone with half a brain edits what can and can’t be seen on their profile and who can see it). Now it seems we are facing ‘Facebook fatigue’, with people leaving the network http://www.guardian.co.uk/technology/2008/feb/22/facebook.facebook and joining more specialised networks or professional networks which claim to offer more targeted services. I just looked at one of them, WAYN.com, which is supposed to be a ’specialist’ network for travellers. It looks to me just like Facebook but with more colours and offers pretty much the same sort of stuff. Note – I won’t be going back – it has an English flag to represent ‘nationality British’ which, coming from Scotland, is about the most insulting you can get as well as not exactly professional for a travel site.

I’ve just had a look at my Facebook profile and it suddenly struck me that it looks like my teenage scrap book where I pasted pictures, copied out favourite poems and wrote a list of my favourite films and books. I got tired of that in the end. Maybe I will of Facebook too.

In the meantime, I am off to do a quiz, invite 20 of my friends to take it too so I can find out which character in some TV show I am most like, flirt with a stranger in Australia, throw a sheep and bite someone’s neck.

Transmediale.08 awards

The winners of the transmediale.08 awards are:

The 1. Prize was awarded to Julia Meltzer (us) and David Thorne (us) for their work “Not a Matter of If but When” – developed in 2005–06 in Damascus, Syria – about living in a condition of uncertainty, chaos and stasis.

The 2. Prize was awarded to UBERMORGEN.COM (at), Paolo Cirio (it) and Alessandro Ludovico (it) for their project “Amazon Noir – The Big Book Crime” (Web project, 2006).‘Amazon Noir’ is a poetic media statement – it links to the debate around intellectual property and anti-copyright campaigns and platforms pursuing copyright infringement: the Amazon Noir crew stole copyrighted books from Amazon.com by hacking the ‘see inside’ feature.

The 3. Prize was awarded to Gordan Savicic (at) for his project “Constraint City: The Pain of Everyday Life” (Intervention, 2007).’Constraint City’ is a critical performance in urban space that can be individually repeated by wearing a jacket consisting of straps equipped with motors and a ‘wi-fi enabled gaming console’.

‘no comments’ – Digital Rhetoric in action

So, Herman has set up this blog for us to discuss all manner of things, and we are hoping/expecting our readers – presumably our students – to comment.

When I saw the page layout, I noticed that the hyperlink for adding a comment was called ‘no comments’, which of course means ‘zero comments’, but could be misunderstood to mean ‘no comments, please!’, which is the opposite of the message we want to send.

Here is a perfect opportunity to introduce ‘digital rhetoric’, a fascinating ‘new’ discipline whose object of study is the language of the internet and other digital/non-linear media. In particular, the way that the technicalities of digital media affect the human-level communications that go on there.

For example, when presented with the dialog box “Are you sure you want to cancel?” with the buttons “OK” and “Cancel”, what kind of choice is being offered? Such dialog boxes have been spotted ‘in the wild’. An important part of interactive design is making sure that the text (understood most broadly) you present to your user is unambiguous and clear.

But digital rhetoric may also be applied to other aspects of interactive design. For example, in Microsoft Word, when you choose ‘Save As…’ and choose any format other than .DOC, the program presents you with a slightly scary, vaguely stated warning that ’some of your information may be lost’ if you save in another format. Those of us with some experience know to disregard this warning (especially if we have already saved the document as .DOC), but it is clearly designed to ‘give people the creeps’ and, ultimately, cause them to ‘lock-in’ all of their word-processing documents in the closed, proprietary Microsoft Word format. I would argue that this particular ‘Save As…’ warning dialog box has been significant in the rise and eventual dominance of Microsoft Word and the .DOC format.

Now I notice that in the latest version of Microsoft Office, the ‘Save As…’ functionality is hidden away altogether. You have to mess around with your preferences or options, and click the inconspicuous ‘All’ tab to even get ‘Save As…’ to appear in your File menu (or whatever it’s now called). Those guys from Redmond never miss a trick, no wonder they make so much money.

* * *

I asked Herman about this ‘no comments’ thing yesterday, and he said it’s probably the wordpress default, and promised to look into it. Interestingly, he expressed some reluctance to ‘dig too deep’ into the standard setup, for fear of opening up security holes, which is quite understandable I think.

The key points here are:

  • The default template may include ‘bad copy’ (i.e. fudged formulation and screwy rhetoric)
  • Anxiety about maintaining the stability or security of a system can even lead to us tolerating (or being expected to tolerate) screwy rhetoric because the alternative is not obvious.
  • Consider whether your text can be interpreted in other ways than what you intend
  • Equip yourself with a critical understanding of warning messages, especially those from large software companies

Now I see that Herman has changed ‘no comments’ to ‘comments are welcome’, which is much better, but I thought I would make this post here anyway, to bring Digital Rhetoric to your attention. I think it’s one of the most interesting areas of digital communication. What do you think?

Er vi alle ved at blive buddhister?

Ny identitet og god karma: Innovation Lab flytter fokus fra virksomhedslogo til personlige medarbejderlogos. Fra fast til flydende. Og fra et klassisk corporate web til en karmagenerator.
En identitet, der er konstant foranderlig og dynamisk, og som ikke kun fortæller, hvem de er, men også, hvad de laver. Netop nu. Karmaen er summen af aktiviteter i hele virksomheden, og den nye webgrafik ændres sekund for sekund. Se http://ilab.dk/da/node/738
Kommunikationsforum har jo gennem længere tid besmykket deres deltagere med k-karma. Er vi alle ved at blive buddhister?

Howdy!

While the use of personalisation on websites is common, and is considered good, I really hate the one here – ‘howdy’ – sounds like we are in a saloon in Dodge City…..

Concepts of ‘WEB 2.0′ – pt2

Other leading figures have also offered their own definitions and pinpoint a number of interesting aspects

Tim O’Reilly on What is Web 2.0?
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What is Web 2.0?
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Concepts of ‘WEB 2.0′ – pt1

One of the great things about the internet is the inexhaustible spectrum of opinions about any and all topics. Every so often I come across something that has such clarity that one ends up thinking – why didn’t I think of that!.

The Machine is Us/ing Us (Final Version)
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Professor Walsh explaining “The machine is us”
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Brennan Young

 
  • Graphic artist and art historian
  • Teaching scripting (ActionScript etc.)
  • Lecturer: Visualisation (art history)

Hello,

I’ve been involved in internet-based discussion since the mid-1990s, using newsgroups (also known as USENET) and email-based mailing lists. More recently I’ve been exploring the technological side of Web 2.0 – like DOM scripting and AJAX.

I’m very skeptical about some of the wilder Web 2.0 premises and promises, here are some (possibly false) claims which I may or may not have made:

  • Blogs are like USENET with pretty oven gloves on
  • Subscribing to RSS feeds is an invitation to more nagging in your life
  • Glossy rectangles with round corners does not equal Web 2.0

… but I’m very interested in some of the social and political aspects of this lark:

  • Are we getting more democracy, or just more bread and circuses?
  • Can we be identified (e.g. for ecommerce) without revealing our identity?
  • What are the ethical dimensions of being ‘friends’ (e.g. via facebook) with students, or with management?
  • “If we have Nothing to hide, we have nothing to fear”? – Don’t we have a right to secrets? I might want to “hide” the fact I bought a present for my girlfriend, until her actual birthday.
  • Is file-sharing stealing? Stealing is legally defined as “taking with the intent to deprive”. Who is being deprived of what?
  • If amateur content produced under the creative commons license is ‘good enough’ to compete with professionally produced, copyright-protected content, how does e.g. a professional photographer make a living?
  • Mozilla gets most of its money from Google. Is Firefox really a grassroots product?

And so on… Get me an espresso and slip me a paradox, and I’ll discuss for hours.

Michael Nielsen

  • Michael Nielsen
  • Lecture at 3th ‘N 4th semester
  • Exam-Pæd Communication & ICT, Cand. IT, ICC Coach.

Barbara Lofgren

  • MA (Linguistics)
  • MSc (Information Technology)
  • MPhil (Information Management)
  • Lecturer in ‘Organistion’ (3rd and 4th semester)

I’ve lived in Denmark for 4 years and no-one could say I speak good Danish.   I am a bit mixed in terms of family, being half Polish, half English, born in Scotland, married to a Swede, living in Denmark and have  American, French, Mexican and Canadian members of my family (and probably more).   Subjects: organisations and decision making, knowledge management, virtual organisations and viral marketing.